{"id":2270,"date":"2023-02-27T15:07:07","date_gmt":"2018-09-17T13:40:14","guid":{"rendered":"https:\/\/preprod.unit.paris\/references-2\/"},"modified":"2023-03-31T16:47:58","modified_gmt":"2023-03-31T14:47:58","slug":"clients-new","status":"publish","type":"page","link":"https:\/\/preprod.unit.paris\/en\/clients-new\/","title":{"rendered":"Clients New"},"content":{"rendered":"

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YEAR<\/div>\n
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CLIENT<\/div>\n
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PROJECT<\/div>\n
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MISSION<\/div>\n
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images<\/div>\n
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\n
2027<\/span> <\/div>\n
City of Bruxelleeeeeees<\/span> <\/div>\n
Mus\u00e9e d\u2019histoire de la ville de Bruxelles<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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2025<\/span> <\/div>\n
City of Mont-de-Marsan<\/span> <\/div>\n
Mus\u00e9e Despiau-Wl\u00e9rick, Mont-de-Marsan<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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2025<\/span> <\/div>\n
City of Paris \/ AAPP<\/span> <\/div>\n
Wayfinding of columbarium du P\u00e8re-Lachaise, Paris<\/span> <\/div>\n
Wayfinding<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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2025<\/span> <\/div>\n
City of Paris \/ Wagon Landscaping<\/span> <\/div>\n
Wayfinding of la place du 13 novembre 2015, Paris<\/span> <\/div>\n
Wayfinding<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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2025<\/span> <\/div>\n
Ct\u00e9 Communes du Haut-Beaujolais<\/span> <\/div>\n
\u00c9comuseum of the Haut-Beaujolais, Thizy-les-Bourgs<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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2025<\/span> <\/div>\n
Dunkirk urban community<\/span> <\/div>\n
Ferme Nord, Zuydcoote<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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2025<\/span> <\/div>\n
EPMO<\/span> <\/div>\n
Signal\u00e9tique du mus\u00e9e d\u2019Orsay, Paris<\/span> <\/div>\n
Wayfinding<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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2025<\/span> <\/div>\n
Mucem<\/span> <\/div>\n
Signal\u00e9tique du Mucem, Marseille<\/span> <\/div>\n
Wayfinding<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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2024<\/span> <\/div>\n
City of Maisons-Laffitte \/ Atelier Novembre<\/span> <\/div>\n
Wayfinding of Malesherbes Cultural Center<\/span> <\/div>\n
Wayfinding<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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2024<\/span> <\/div>\n
Ct\u00e9 Communes de L\u2019\u00cele-Rousse Balagne<\/span> <\/div>\n
Mus\u00e9e et office de tourisme de L\u2019\u00cele-Rousse Balagne<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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2024<\/span> <\/div>\n
Minist\u00e8re de la Culture \/ Oppic<\/span> <\/div>\n
Mus\u00e9e de Port-Royal-des-Champs<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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2024<\/span> <\/div>\n
Oise Department<\/span> <\/div>\n
Mus\u00e9e de l\u2019Oise (MUDO), Beauvais<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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2024<\/span> <\/div>\n
Territoire 25 \/ City of Montb\u00e9liard<\/span> <\/div>\n
Montb\u00e9liard Castle<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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2023<\/span> <\/div>\n
Amiens Metropolis<\/span> <\/div>\n
Visual identity of the CIAP Amiens Metropolis <\/span> <\/div>\n
Communication<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2023<\/span> <\/div>\n
Amiens Metropolis<\/span> <\/div>\n
CIAP Amiens Metropolis <\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2023<\/span> <\/div>\n
Bordeaux Metropolis \/ K Architectures<\/span> <\/div>\n
Wayfinding of Pierre-Paul-Bernard stadium, Talence<\/span> <\/div>\n
Wayfinding<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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2023<\/span> <\/div>\n
CAUE 17 \/ Temaprod<\/span> <\/div>\n
Exposition itin\u00e9rante \u00ab Maisons des bords de mer \u00bb<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2023<\/span> <\/div>\n
CAUE 17 \/ Temaprod<\/span> <\/div>\n
Affiche de l\u2019exposition \u00ab\u00a0Maisons des bords de mer\u00a0\u00bb<\/span> <\/div>\n
Communication<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2023<\/span> <\/div>\n
City of Strasbourg \/ AAPP<\/span> <\/div>\n
Wayfinding of the HEAR, Strasbourg<\/span> <\/div>\n
Wayfinding<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2023<\/span> <\/div>\n
City of Vic-sur-Seille<\/span> <\/div>\n
Louis de Fun\u00e8s<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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2023<\/span> <\/div>\n
Culturespaces<\/span> <\/div>\n
Piet Mondrian \u2013 La qu\u00eate de l’abstraction<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2023<\/span> <\/div>\n
Saint-Fran\u00e7ois school \/ FRES architectes<\/span> <\/div>\n
Historical route of the Juv\u00e9nat, Ville-la-Grand<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2023<\/span> <\/div>\n
\u00c9vian Resort<\/span> <\/div>\n
Identit\u00e9 visuelle des restaurants du Casino d\u2019\u00c9vian<\/span> <\/div>\n
Communication<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2023<\/span> <\/div>\n
\u00c9vian Resort \/ AAPP<\/span> <\/div>\n
Signal\u00e9tique du Casino d\u2019\u00c9vian<\/span> <\/div>\n
Wayfinding<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2023<\/span> <\/div>\n
Frac-Artoth\u00e8que Nouvelle-Aquitaine<\/span> <\/div>\n
Am\u00e9nagement des nouveaux bureaux, Limoges<\/span> <\/div>\n
Interior design<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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2023<\/span> <\/div>\n
Gedeon Programmes<\/span> <\/div>\n
Institut Paul-Ricard, \u00cele des Embiez<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2023<\/span> <\/div>\n
Mus\u00e9e des Arts D\u00e9coratifs<\/span> <\/div>\n
Des cheveux et des poils<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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2023<\/span> <\/div>\n
Orl\u00e9ans Metropolis<\/span> <\/div>\n
Signal\u00e9tique urbaine patrimoniale, Orl\u00e9ans<\/span> <\/div>\n
Wayfinding<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2023<\/span> <\/div>\n
Paris & M\u00e9tropole Am\u00e9nagement<\/span> <\/div>\n
Interfaces tactiles et plaquettes pour le salon Mipim 2023<\/span> <\/div>\n
Communication<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2023<\/span> <\/div>\n
Paris Habitat \/ AHA<\/span> <\/div>\n
Identit\u00e9 visuelle de la nouvelle tour des Poissonniers<\/span> <\/div>\n
Communication<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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2023<\/span> <\/div>\n
Soci\u00e9t\u00e9 du T\u00e9l\u00e9ph\u00e9rique du Sal\u00e8ve<\/span> <\/div>\n
Interpretation Ccenter of the Mont-Sal\u00e8ve<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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2023<\/span> <\/div>\n
Soci\u00e9t\u00e9 du T\u00e9l\u00e9ph\u00e9rique du Sal\u00e8ve \/ DDA<\/span> <\/div>\n
Wayfinding of the stations of the Cable Car of the Mont-Sal\u00e8ve<\/span> <\/div>\n
Wayfinding<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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2023<\/span> <\/div>\n
Universcience<\/span> <\/div>\n
Science Actualit\u00e9s Space, Cit\u00e9 des Sciences<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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2023<\/span> <\/div>\n
Universit\u00e9 de Cergy-Pontoise \/ K Architectures<\/span> <\/div>\n
Wayfinding of the International House of Research, Cergy-Pontoise<\/span> <\/div>\n
Wayfinding<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2023<\/span> <\/div>\n
Vienne Department \/ AAPP<\/span> <\/div>\n
Wayfinding of Henri-IV Secondary school, Poitiers<\/span> <\/div>\n
Wayfinding<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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2023<\/span> <\/div>\n
Vincent Gillot Architecture<\/span> <\/div>\n
Book<\/span> <\/div>\n
Communication<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2022<\/span> <\/div>\n
International Academy of Ceramics<\/span> <\/div>\n
Digital exhibition \u00ab\u00a0On the edge\u00a0\u00bb<\/span> <\/div>\n
Communication<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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2022<\/span> <\/div>\n
Arte Concert<\/span> <\/div>\n
Arte Concert Festival 2022 \u00e0 la Ga\u00eet\u00e9 Lyrique<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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2022<\/span> <\/div>\n
Atelier d\u2019architecture Philippe Prost<\/span> <\/div>\n
Pr\u00e9sentation pour le Grand Prix National de l\u2019Architecture<\/span> <\/div>\n
Communication<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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2022<\/span> <\/div>\n
Atelier d\u2019architecture Philippe Prost<\/span> <\/div>\n
Website<\/span> <\/div>\n
Communication<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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2022<\/span> <\/div>\n
Cit\u00e9 de l\u2019Architecture et du Patrimoine<\/span> <\/div>\n
Exhibition catalogue \u00ab\u00a0Patrimoine en mouvement\u00a0\u00bb<\/span> <\/div>\n
Communication<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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2022<\/span> <\/div>\n
Cit\u00e9 de l\u2019Architecture et du Patrimoine<\/span> <\/div>\n
Exposition itin\u00e9rante \u00ab Patrimoine en mouvement \u00bb<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2022<\/span> <\/div>\n
Ct\u00e9 Communes du Pays de Bitche<\/span> <\/div>\n
Glass and cristal museum, Meisenthal<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2022<\/span> <\/div>\n
Culturespaces<\/span> <\/div>\n
Exhibition poster and booklet \u00ab\u00a0Yves Klein’s obsession with blue\u00a0\u00bb<\/span> <\/div>\n
Communication<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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2022<\/span> <\/div>\n
Culturespaces<\/span> <\/div>\n
Yves Klein’s obsession with blue<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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2022<\/span> <\/div>\n
Fondation pour le droit continental<\/span> <\/div>\n
Visuel pour le colloque \u00ab\u00a0Le logement dans tous ses \u00e9tats !\u00a0\u00bb<\/span> <\/div>\n
Communication<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2022<\/span> <\/div>\n
Gedeon Programmes<\/span> <\/div>\n
Affiche de l\u2019exposition \u00ab\u00a0Oc\u00e9an \u2013 L\u2019Europe bleue\u00a0\u00bb<\/span> <\/div>\n
Communication<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2022<\/span> <\/div>\n
Gedeon Programmes<\/span> <\/div>\n
Exposition itin\u00e9rante \u00ab Oc\u00e9an \u2013 L\u2019Europe bleue \u00bb<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2022<\/span> <\/div>\n
Shoah Memorial<\/span> <\/div>\n
Exhibition catalogue \u00ab\u00a0By the grace of God\u00a0\u00bb<\/span> <\/div>\n
Communication<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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2022<\/span> <\/div>\n
Shoah Memorial<\/span> <\/div>\n
By the grace of God<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2022<\/span> <\/div>\n
Mus\u00e9e des Arts D\u00e9coratifs<\/span> <\/div>\n
Affiche de l\u2019exposition \u00ab\u00a0\u00c0 la rencontre du petit prince\u00a0\u00bb<\/span> <\/div>\n
Communication<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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2022<\/span> <\/div>\n
Mus\u00e9e des Arts D\u00e9coratifs<\/span> <\/div>\n
\u00c0 la rencontre du Petit Prince<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2022<\/span> <\/div>\n
Paris & M\u00e9tropole Am\u00e9nagement<\/span> <\/div>\n
Identit\u00e9 visuelle du quartier Gare des Mines \u2013 Fillettes<\/span> <\/div>\n
Communication<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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2022<\/span> <\/div>\n
Paris & M\u00e9tropole Am\u00e9nagement<\/span> <\/div>\n
Publication \u00ab\u00a0Fa\u00e7ons de Faire n\u00b04\u00a0\u00bb<\/span> <\/div>\n
Communication<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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2022<\/span> <\/div>\n
Paris & M\u00e9tropole Am\u00e9nagement<\/span> <\/div>\n
Carte de v\u0153ux 2023<\/span> <\/div>\n
Communication<\/span> <\/div>\n
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<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2022<\/span> <\/div>\n
Paris & M\u00e9tropole Am\u00e9nagement<\/span> <\/div>\n
Interfaces tactiles et plaquettes pour le salon Mipim 2022<\/span> <\/div>\n
Communication<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2022<\/span> <\/div>\n
R\u00e9union des mus\u00e9es nationaux \u2013 Grand Palais<\/span> <\/div>\n
MUSE Discovery \/ Immersive<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2022<\/span> <\/div>\n
Universcience<\/span> <\/div>\n
8 milliards d\u2019humains… et apr\u00e8s ?<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2021<\/span> <\/div>\n
Atelier d\u2019architecture Philippe Prost<\/span> <\/div>\n
Livret pour le concours Art Explora<\/span> <\/div>\n
Communication<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2021<\/span> <\/div>\n
National Library of France<\/span> <\/div>\n
Henri Cartier-Bresson \u2013 Le Grand Jeu<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2021<\/span> <\/div>\n
Cin\u00e9ma Le Palace, Bruxelles<\/span> <\/div>\n
Louis de Fun\u00e8s<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2021<\/span> <\/div>\n
Cr\u00e9dit Agricole \u00cele-de-France<\/span> <\/div>\n
Frise chronologique<\/span> <\/div>\n
Wayfinding<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2021<\/span> <\/div>\n
DRAC Centre \u2013 Val de Loire<\/span> <\/div>\n
Cultural Atlas 2020<\/span> <\/div>\n
Communication<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2021<\/span> <\/div>\n
H\u00e9rault Department \/ K Architectures<\/span> <\/div>\n
Signal\u00e9tique de la sc\u00e8ne de Bayssan, B\u00e9ziers<\/span> <\/div>\n
Wayfinding<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2021<\/span> <\/div>\n
M\u00e9morial de Verdun<\/span> <\/div>\n
On ne passe pas !<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2021<\/span> <\/div>\n
Mus\u00e9e national des arts asiatiques \u2013 Guimet<\/span> <\/div>\n
Jardins d\u2019Asie<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2021<\/span> <\/div>\n
National monuments centre<\/span> <\/div>\n
Ch\u00e2teau de Cadillac<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2021<\/span> <\/div>\n
Paris & M\u00e9tropole Am\u00e9nagement<\/span> <\/div>\n
Carte de v\u0153ux anim\u00e9e 2022<\/span> <\/div>\n
Communication<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2020<\/span> <\/div>\n
Annemasse Agglomeration<\/span> <\/div>\n
Visual identity of Archipel Butor <\/span> <\/div>\n
Communication<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2020<\/span> <\/div>\n
Annemasse Agglomeration<\/span> <\/div>\n
Exposition modulable pour la maison de Michel Butor<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2020<\/span> <\/div>\n
Annemasse Agglomeration<\/span> <\/div>\n
Manoir des Livres, Lucinges<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2020<\/span> <\/div>\n
Annemasse Agglomeration<\/span> <\/div>\n
Wayfinding of Manoir des Livres, Lucinges<\/span> <\/div>\n
Wayfinding<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2020<\/span> <\/div>\n
Cin\u00e9math\u00e8que fran\u00e7aise<\/span> <\/div>\n
Louis de Fun\u00e8s<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2020<\/span> <\/div>\n
City of Leffrinckoucke<\/span> <\/div>\n
Fort des Dunes, Leffrinckoucke<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2020<\/span> <\/div>\n
Compagnie La Truc<\/span> <\/div>\n
Cosmophonies<\/span> <\/div>\n
Digital art<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2020<\/span> <\/div>\n
Maison de l\u2019Architecture CVDL<\/span> <\/div>\n
Exposition itin\u00e9rante Archimobile #2 \u00ab Mobilit\u00e9s \u00bb<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2020<\/span> <\/div>\n
Martell<\/span> <\/div>\n
Archives du domaine Martell<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2020<\/span> <\/div>\n
Shoah Memorial<\/span> <\/div>\n
Le Mur des Noms, Paris<\/span> <\/div>\n
Wayfinding<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2020<\/span> <\/div>\n
Mus\u00e9e du Louvre<\/span> <\/div>\n
Petite Galerie itin\u00e9rante<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2020<\/span> <\/div>\n
Paris & M\u00e9tropole Am\u00e9nagement<\/span> <\/div>\n
Carte de v\u0153ux 2021<\/span> <\/div>\n
Communication<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2020<\/span> <\/div>\n
Paris & M\u00e9tropole am\u00e9nagement<\/span> <\/div>\n
Publication \u00ab Fa\u00e7ons de Faire n\u00b03 \u00bb<\/span> <\/div>\n
Communication<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2019<\/span> <\/div>\n
Atelier d\u2019architecture Philippe Prost<\/span> <\/div>\n
Tisser des liens <\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2019<\/span> <\/div>\n
CCI Grand Lille \/ AAPP<\/span> <\/div>\n
Wayfinding of Palais de la Bourse, Lille<\/span> <\/div>\n
Wayfinding<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2019<\/span> <\/div>\n
Oradour-sur-Glane Memory Center<\/span> <\/div>\n
Exhibition poster \u00ab\u00a0Rwanda 1994 \u2013 Le g\u00e9nocide des Tutsi\u00a0\u00bb<\/span> <\/div>\n
Communication<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2019<\/span> <\/div>\n
Oradour-sur-Glane Memory Center<\/span> <\/div>\n
Rwanda 1994 \u2013 Le g\u00e9nocide des Tutsi<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2019<\/span> <\/div>\n
City of Dourdan<\/span> <\/div>\n
Mus\u00e9e du ch\u00e2teau de Dourdan<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2019<\/span> <\/div>\n
City of Vend\u00f4me<\/span> <\/div>\n
Architecture d\u2019hier et d\u2019aujourd’hui<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2019<\/span> <\/div>\n
CMN \/ Ch\u00e2teau d\u2019Oiron<\/span> <\/div>\n
\u00c9clipses<\/span> <\/div>\n
Digital art<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2019<\/span> <\/div>\n
ENSA-V<\/span> <\/div>\n
Vend\u00f4me : architecture d\u2019hier, architecture de demain<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2019<\/span> <\/div>\n
Frac-Artoth\u00e8que Nouvelle-Aquitaine<\/span> <\/div>\n
Strat\u00e9gie de communication et naming<\/span> <\/div>\n
Communication<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2019<\/span> <\/div>\n
Ipamac<\/span> <\/div>\n
Signal\u00e9tique de la Grande Travers\u00e9e du Massif central<\/span> <\/div>\n
Wayfinding<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2019<\/span> <\/div>\n
Loupi Lighting<\/span> <\/div>\n
Salon Sitem 2019<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2019<\/span> <\/div>\n
Maison de l\u2019Architecture CVDL<\/span> <\/div>\n
Site internet<\/span> <\/div>\n
Communication<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2019<\/span> <\/div>\n
Maison de l\u2019Architecture CVDL<\/span> <\/div>\n
D\u00e9pliant pour les Journ\u00e9es nationales de l\u2019architecture<\/span> <\/div>\n
Communication<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2019<\/span> <\/div>\n
Robert Schuman Museum<\/span> <\/div>\n
\u00c0 vot\u00e9 !<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2019<\/span> <\/div>\n
Shoah Memorial<\/span> <\/div>\n
Le Mur des Justes, Paris<\/span> <\/div>\n
Wayfinding<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2019<\/span> <\/div>\n
Shoah Memorial, Drancy<\/span> <\/div>\n
Rwanda 1994 \u2013 Le g\u00e9nocide des Tutsi<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2019<\/span> <\/div>\n
Mus\u00e9e des Arts D\u00e9coratifs<\/span> <\/div>\n
Les dr\u00f4les de petites b\u00eates d\u2019Antoon Krings<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2019<\/span> <\/div>\n
Mus\u00e9e du Quai Branly<\/span> <\/div>\n
Frapper le fer<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2019<\/span> <\/div>\n
Mus\u00e9e du Quai Branly<\/span> <\/div>\n
F\u00e9lix F\u00e9n\u00e9on<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2019<\/span> <\/div>\n
National monuments centre<\/span> <\/div>\n
D\u00e9pliant de visite du monast\u00e8re royal de Brou<\/span> <\/div>\n
Communication<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2019<\/span> <\/div>\n
Paris & M\u00e9tropole Am\u00e9nagement<\/span> <\/div>\n
Carte de v\u0153ux 2020<\/span> <\/div>\n
Communication<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2019<\/span> <\/div>\n
Paris & M\u00e9tropole am\u00e9nagement<\/span> <\/div>\n
Rapport annuel num\u00e9rique 2019<\/span> <\/div>\n
Communication<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2019<\/span> <\/div>\n
Paris & M\u00e9tropole am\u00e9nagement<\/span> <\/div>\n
Publication \u00ab Fa\u00e7ons de Faire n\u00b02 \u00bb<\/span> <\/div>\n
Communication<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2019<\/span> <\/div>\n
Paris & M\u00e9tropole am\u00e9nagement<\/span> <\/div>\n
Interfaces tactiles et plaquettes pour le salon Mipim 2019<\/span> <\/div>\n
Communication<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2019<\/span> <\/div>\n
Paris&Co \/ City of Paris<\/span> <\/div>\n
Campagne de communication pour l’Arc de l\u2019innovation<\/span> <\/div>\n
Communication<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2018<\/span> <\/div>\n
City of Brest<\/span> <\/div>\n
Wayfinding of the m\u00e9diath\u00e8que des Capucins, Brest<\/span> <\/div>\n
Wayfinding<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2018<\/span> <\/div>\n
Conseil de l\u2019Union Europ\u00e9enne<\/span> <\/div>\n
Visitor center<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2018<\/span> <\/div>\n
DRAC Centre \u2013 Val de Loire<\/span> <\/div>\n
Brochure de pr\u00e9sentation du projet B3 \u00e0 Vierzon<\/span> <\/div>\n
Communication<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2018<\/span> <\/div>\n
Kl\u00e9ber Rossillon<\/span> <\/div>\n
Ch\u00e2teau de Suscinio, Sarzeau<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2018<\/span> <\/div>\n
Loupi Lighting<\/span> <\/div>\n
Salon Sitem 2018, Paris<\/span> <\/div>\n
Interior design<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2018<\/span> <\/div>\n
Maison de l\u2019Architecture CVDL<\/span> <\/div>\n
D\u00e9pliant pour les Journ\u00e9es nationales de l\u2019architecture<\/span> <\/div>\n
Communication<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2018<\/span> <\/div>\n
Maison de l\u2019Architecture CVDL<\/span> <\/div>\n
Exposition itin\u00e9rante Archimobile #1 \u00ab L\u2019Architecture ravive les c\u0153urs de ville ! \u00bb<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2018<\/span> <\/div>\n
Maison de l\u2019Architecture CVDL<\/span> <\/div>\n
L\u2019Architecture du quotidien<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2018<\/span> <\/div>\n
Mus\u00e9e du Louvre<\/span> <\/div>\n
Exposition itin\u00e9rante \u00ab Th\u00e9\u00e2tre du pouvoir \u00bb <\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2018<\/span> <\/div>\n
Mus\u00e9e du Quai Branly<\/span> <\/div>\n
Paul Robeson \u2013 Un homme du Tout-monde<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2018<\/span> <\/div>\n
National monuments centre<\/span> <\/div>\n
D\u00e9pliant de visite du ch\u00e2teau de Ferney-Voltaire<\/span> <\/div>\n
Communication<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2018<\/span> <\/div>\n
Paris & M\u00e9tropole Am\u00e9nagement<\/span> <\/div>\n
Carte de v\u0153ux 2019<\/span> <\/div>\n
Communication<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2018<\/span> <\/div>\n
Paris & M\u00e9tropole Am\u00e9nagement<\/span> <\/div>\n
Identit\u00e9 visuelle<\/span> <\/div>\n
Communication<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2018<\/span> <\/div>\n
Paris & M\u00e9tropole Am\u00e9nagement<\/span> <\/div>\n
Site internet<\/span> <\/div>\n
Communication<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2018<\/span> <\/div>\n
Paris Batignolles Am\u00e9nagement<\/span> <\/div>\n
Rapport annuel num\u00e9rique 2018<\/span> <\/div>\n
Communication<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2018<\/span> <\/div>\n
Paris Batignolles Am\u00e9nagement<\/span> <\/div>\n
Publication Fa\u00e7ons de Faire n\u00b01<\/span> <\/div>\n
Communication<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2018<\/span> <\/div>\n
Paris Batignolles Am\u00e9nagement<\/span> <\/div>\n
Interfaces tactiles des op\u00e9rations urbaines<\/span> <\/div>\n
Communication<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2018<\/span> <\/div>\n
Pompidou Centre<\/span> <\/div>\n
Signal\u00e9tique de la Biblioth\u00e8que publique d\u2019information, Paris<\/span> <\/div>\n
Wayfinding<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2018<\/span> <\/div>\n
T\u00e9tro<\/span> <\/div>\n
Espace \u00ab Perspectives \u00bb au salon Premi\u00e8re Vision, Paris<\/span> <\/div>\n
Interior design<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2018<\/span> <\/div>\n
Urban Lab<\/span> <\/div>\n
Data visualisation<\/span> <\/div>\n
Communication<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2017<\/span> <\/div>\n
Dunkirk urban community<\/span> <\/div>\n
Mus\u00e9e Dunkerque 40 \u2013 Op\u00e9ration Dynamo<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2017<\/span> <\/div>\n
Dunkirk urban community<\/span> <\/div>\n
L\u2019envers du d\u00e9cor<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2017<\/span> <\/div>\n
Historial of the Great War<\/span> <\/div>\n
Mus\u00e9e du M\u00e9morial de Thiepval<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2017<\/span> <\/div>\n
Historial of the Great War<\/span> <\/div>\n
Signal\u00e9tique du mus\u00e9e de Thiepval<\/span> <\/div>\n
Wayfinding<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2017<\/span> <\/div>\n
INRAP<\/span> <\/div>\n
Exposition itin\u00e9rante Arch\u00e9ocapsule<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2017<\/span> <\/div>\n
Arab World Institute<\/span> <\/div>\n
2e Biennale des photographes du monde arabe<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2017<\/span> <\/div>\n
Arab World Institute<\/span> <\/div>\n
Chefs d\u2019\u0153uvres de la collection Barjeel<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2017<\/span> <\/div>\n
Loupi Lighting<\/span> <\/div>\n
Salon Euroshop D\u00fcsseldorf<\/span> <\/div>\n
Interior design<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2017<\/span> <\/div>\n
M\u00e9decins Sans Fronti\u00e8res<\/span> <\/div>\n
Identit\u00e9 visuelle de la 46e AG de M\u00e9decins Sans Fronti\u00e8res<\/span> <\/div>\n
Communication<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2017<\/span> <\/div>\n
Shoah Memorial<\/span> <\/div>\n
Le proc\u00e8s Klaus Barbie<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2017<\/span> <\/div>\n
Monnaie de Paris \/ AAPP<\/span> <\/div>\n
11 Conti \u2013 Le temps du projet<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2017<\/span> <\/div>\n
Mus\u00e9e du Quai Branly<\/span> <\/div>\n
Aztec Hotel<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2017<\/span> <\/div>\n
Mus\u00e9e du Quai Branly<\/span> <\/div>\n
Kura Punamou \u2013 La pierre sacr\u00e9e des Maoris<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2017<\/span> <\/div>\n
National monuments centre<\/span> <\/div>\n
Ch\u00e2teau d\u2019Azay-le-Rideau<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2017<\/span> <\/div>\n
National monuments centre<\/span> <\/div>\n
Signal\u00e9tique du domaine et ch\u00e2teau d\u2019Azay-le-Rideau <\/span> <\/div>\n
Wayfinding<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2016<\/span> <\/div>\n
City of Paris<\/span> <\/div>\n
Identit\u00e9 visuelle de l’Arc de l\u2019innovation<\/span> <\/div>\n
Communication<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2016<\/span> <\/div>\n
Le Kiosque \u2013 Centre d\u2019art de Mayenne<\/span> <\/div>\n
Coming out<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2016<\/span> <\/div>\n
Maison de l\u2019Architecture CVDL<\/span> <\/div>\n
Affiche et catalogue \u00ab L’architecture du quotidien \u00bb<\/span> <\/div>\n
Communication<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2016<\/span> <\/div>\n
Maison de l\u2019Architecture CVDL<\/span> <\/div>\n
Identit\u00e9 visuelle et site internet<\/span> <\/div>\n
Communication<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2016<\/span> <\/div>\n
Maison de l\u2019Architecture CVDL<\/span> <\/div>\n
Vingt ans de reconstruction en Tourraine, 1940\u20131960<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2016<\/span> <\/div>\n
Shoah Memorial<\/span> <\/div>\n
Herero et Nama \u2013 Le premier g\u00e9nocide du XXe s.<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2016<\/span> <\/div>\n
Mona Bismarck American Center<\/span> <\/div>\n
Accueil et espace de lecture, Paris<\/span> <\/div>\n
Interior design<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2016<\/span> <\/div>\n
Mus\u00e9e du Louvre<\/span> <\/div>\n
Exposition itin\u00e9rante Le Louvre \u00e0 l\u2019h\u00f4pital \u00ab \u00c0 port\u00e9e de mains \u00bb <\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2016<\/span> <\/div>\n
Mus\u00e9e du Louvre<\/span> <\/div>\n
La Petite Galerie itin\u00e9rante \u00ab Mythes fondateurs \u00bb<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2016<\/span> <\/div>\n
Mus\u00e9e du Quai Branly<\/span> <\/div>\n
Jacques Chirac ou le dialogue des cultures<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2016<\/span> <\/div>\n
Mus\u00e9e du Quai Branly<\/span> <\/div>\n
Du Jourdain au Congo<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2016<\/span> <\/div>\n
Mus\u00e9e du Quai Branly<\/span> <\/div>\n
\u00c9clectique \u2013 Une collection du XXe s.<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2016<\/span> <\/div>\n
Unesco<\/span> <\/div>\n
Le patrimoine mondial africain<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2015<\/span> <\/div>\n
Arab World Institute<\/span> <\/div>\n
1re Biennale des photographes du monde arabe<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2015<\/span> <\/div>\n
Le LaM<\/span> <\/div>\n
Catalogue de l\u2019exposition \u00ab L\u2019Autre de l\u2019Art \u00bb<\/span> <\/div>\n
Communication<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2015<\/span> <\/div>\n
Shoah Memorial<\/span> <\/div>\n
Exhibition catalogue \u00ab\u00a0Filming the war\u00a0\u00bb<\/span> <\/div>\n
Communication<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2015<\/span> <\/div>\n
Shoah Memorial<\/span> <\/div>\n
Filming the war<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2015<\/span> <\/div>\n
Moselle Department<\/span> <\/div>\n
Samoura\u00efs et chevaliers<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2015<\/span> <\/div>\n
Mus\u00e9e Guimet<\/span> <\/div>\n
Int\u00e9rieurs cor\u00e9ens<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2014<\/span> <\/div>\n
Block\u2019Out<\/span> <\/div>\n
Wayfinding of la salle d\u2019escalade d’\u00c9vry-Lisses<\/span> <\/div>\n
Wayfinding<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2014<\/span> <\/div>\n
Shoah Memorial<\/span> <\/div>\n
Rwanda 1994 \u2013 Le g\u00e9nocide des Tutsi<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2014<\/span> <\/div>\n
Moselle Department<\/span> <\/div>\n
L\u2019Art des jeux et jouets<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2014<\/span> <\/div>\n
Mus\u00e9e des Beaux-Arts d\u2019Orl\u00e9ans<\/span> <\/div>\n
Regards sur Orl\u00e9ans<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2013<\/span> <\/div>\n
Bouches-du-Rh\u00f4ne Department<\/span> <\/div>\n
C\u00e9sar et les secrets du Rh\u00f4ne<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2013<\/span> <\/div>\n
Eau de Paris<\/span> <\/div>\n
Aqueducs \u2013 Des chemins pour l\u2019eau<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2013<\/span> <\/div>\n
Meurthe et Moselle Department<\/span> <\/div>\n
Aux sources de l\u2019Universit\u00e9 de Lorraine<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2013<\/span> <\/div>\n
Mus\u00e9e lorrain<\/span> <\/div>\n
Alix le Clerc \u2013 La r\u00e9volution de l\u2019instruction<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
2013<\/span> <\/div>\n
Unesco<\/span> <\/div>\n
Le patrimoine culturel immat\u00e9riel pour le d\u00e9veloppement durable<\/span> <\/div>\n
Exhibition<\/span> <\/div>\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n

<\/p>","protected":false},"excerpt":{"rendered":"

YEAR CLIENT PROJECT MISSION images 2027 City of Bruxelleeeeeees Mus\u00e9e d\u2019histoire de la ville de Bruxelles Exhibition 2025 City of Mont-de-Marsan Mus\u00e9e Despiau-Wl\u00e9rick, Mont-de-Marsan Exhibition 2025 City of Paris \/ AAPP Wayfinding of columbarium du P\u00e8re-Lachaise, Paris Wayfinding 2025 City of Paris \/ Wagon Landscaping Wayfinding of la place du 13 novembre 2015, Paris Wayfinding […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":13,"comment_status":"closed","ping_status":"closed","template":"page-clients.php","meta":[],"grid":"{\"colCount\":18,\"colGutter\":2.2000000000000002,\"rowGutters\":[],\"frameMargin\":5,\"leftFrameMargin\":3,\"rightFrameMargin\":3,\"topFrameMargin\":6.2999999999999998,\"bottomFrameMargin\":3,\"rowAttrs\":[{\"relid\":5}],\"bgColor\":null,\"cont\":[{\"type\":\"text\",\"cont\":\"

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